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GARDEN OF PAINTING @CHINATOWN

Part 1 Project 2006
Yeo Jing Guang, Matthew
Kai McLaughlin
 National University of Singapore | Singapore
“Garden-of-Painting@Chinatown” is a small project aimed at making a big statement about social, architectural and environmental issues. Set in the heart of Chinatown, the building increases awareness of Chinese culture through its program of Chinese painting and architecture that is inspired by the poetics of the traditional Chinese garden. The building maximizes space in a densely built up heritage district, utilising an existing pedestrian bridge to provide a retreat of nature and adds new meaning to the area for the elderly. As an expression of independence, the building incorporates various self-sustaining technology to minimize its impact on the environment.
Yeo Jing Guang, Matthew
Kai McLaughlin

The project “Garden-of-Painting@Chinatown” is a sensitive exploration of art, in particular Chinese painting, as an alternative for the development of an aging population. The premise is ordinary - Chinese painting is a common hobby amongst Chinese retirees. However, the art inspires the architecture at several levels. The architecture itself is conceived as layers, each layer itself an expression of Chinese painting through architectonics. Landscape is not just integrated with the building but framed in ways reminiscent of Chinese painting. This integration is achieved subtly, using structure, circulation and vista as natural opportunities. The result is architecture as ecology and art.
Tutor(s)
2006
The proposed design is a Garden of Painting for the new elderly in the heart of Chinatown. The project aims to address social, architectural and sustainability issues through its design and technology.
[Context] In Singapore, Chinatown is conserved as a heritage district. However, many feel that conservation efforts have been directed at tourism. This proposal aims to revitalise this area and add new meaning for the locals.
[Site] The building maximizes space in a densely built up heritage district, utilising an existing pedestrian bridge to provide a retreat of nature and adds new meaning to the area for the elderly.
[design intention] The architecture itself is conceived as layers, each layer itself an expression of Chinese painting through architectonics. Landscape is not just integrated with the building but framed in ways reminiscent of Chinese painting.
[development process] explorations into the integration of nature, circulation, structure and framing of views.
[sustainability] Apart from maximising day lighting and prevailing wind flow, the building incorporates water catchment ponds and uses nature as biofilters (Living Machine) to recycle water.
[3rd floor plan] The 3rd floor is the main public access level. Commercial activities are introduced at the entry court that leads into the reception and shop area. From these areas, views of the water and green wall are framed.
[floor plans] The 4th floor provides accommodations for two stay in artists. Main activities are held on the 2nd floor, which provides a gallery, library, the eco garden as well as indoor and outdoor studio spaces. Offices are located on Ground level.
[sections and perspectives] In the sections, the interlocking relationship between spaces can be observed. Nature is brought into the spaces both physically and visually. Framed views of the eco garden are used to lead the viewer through the building.
[elevations] The elevations express the layering of spaces and the framing of pockets of nature. The north and south elevations respond to vehicular traffic while retaining the human scale.
[physical model]
[construction technology] The challenges of the site were negotiated through the use of steel framing and pre-fabricated construction. These allowed the building to be built over the canal and minimises the construction time required.
[detailed section]
[detaileds] Nature roof and Water feature facade. Layered facade - wire mesh and glass panels.
[systems integration] Systems were integrated in a service core that was connected to the master spaces through a mixed system of raised flooring and false ceilings.
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